Travel, ProjectsGracia & LouiseJuly 27, 2018Rijksmuseum, Pieter de Hooch, Lenni, Olive, Lottie, home, French Connections, Australian Print Workshop, aesthetics of delay, Amsterdam, Paris, tempo, Iosif Király, Förg, Megan Cope, Martin Bell, Anne Virgo, Louise Jennison, Gracia Haby, Malmaison, memory, blur A sort of fiction French Connections Travel, ProjectsGracia & LouiseJuly 27, 2018Rijksmuseum, Pieter de Hooch, Lenni, Olive, Lottie, home, French Connections, Australian Print Workshop, aesthetics of delay, Amsterdam, Paris, tempo, Iosif Király, Förg, Megan Cope, Martin Bell, Anne Virgo, Louise Jennison, Gracia Haby, Malmaison, memory, blur
Travel, ProjectsGracia & LouiseJuly 22, 2018Amsterdam, The Netherlands, Adriaen Coorte, Rijksmuseum, in the gallery, in the museum, tiles, Vincent van Gogh, Arles, Studio Drift, Shylight, Fragile Future, flâneur, Elaine Haby, Louise Jennison, Gracia Haby, gracialouise, Stedelijk Museum, Sir Thomas More, Utopia, Agnes Martin, Augustine Roulin, Cézanne, De Kooning, Jim Dine, Ger van Elk, Bernd and Hilla Becher, Looped, State Library Victoria, A Weight of Albatross, The Threatened Swan, Johannes Vermeer, The Milkmaid, Woman in Blue Reading a Letter, Willem Claesz Heda, Jan Asselijn “In a little yellow house with green door and shutters” French Connections Travel, ProjectsGracia & LouiseJuly 22, 2018Amsterdam, The Netherlands, Adriaen Coorte, Rijksmuseum, in the gallery, in the museum, tiles, Vincent van Gogh, Arles, Studio Drift, Shylight, Fragile Future, flâneur, Elaine Haby, Louise Jennison, Gracia Haby, gracialouise, Stedelijk Museum, Sir Thomas More, Utopia, Agnes Martin, Augustine Roulin, Cézanne, De Kooning, Jim Dine, Ger van Elk, Bernd and Hilla Becher, Looped, State Library Victoria, A Weight of Albatross, The Threatened Swan, Johannes Vermeer, The Milkmaid, Woman in Blue Reading a Letter, Willem Claesz Heda, Jan Asselijn
