Dance

To record is to remember

The Australian Ballet’s Bodytorque: New World Record, 2024

To record is to remember

Conjuring tricks

2024 Melbourne Fringe Festival: Arabella Frahn-Starkie’s Pictures & Ghosts, Callum Mooney’s Cosmos, and Alix Kuijpers’s Grim Grinning Ghosts

Conjuring tricks

Ever dividing and colliding

Stephanie Lake’s new work, Circle Electric, commissioned by The Australian Ballet, and Harald Lander’s Études

Ever dividing and colliding

Ever netting the complex emotions of the human heart

The world premiere of Christopher Wheeldon’s Oscar©

Ever netting the complex emotions of the human heart

Familiar, unfamiliar ways

Prue Lang’s POESIS, work in Progress showing, The Australian Ballet 2024 residency

Familiar, unfamiliar ways

In the blink of a Cheshire Cat’s wink

The Australian Ballet’s Alice's Adventures in Wonderland©

In the blink of a Cheshire Cat’s wink

Obstructed sightlines and dissolved edges

From NGV to Dancehouse: Atlanta Eke’s Innocence, Amrita Hepi’s Liable, and Holly Durant’s Alter Edith

Obstructed sightlines and dissolved edges

Slowing down to notice the little things

Rosalind Crisp’s dance excerpt growing within the NGV’s Triennial for one night only, as part of The Night of Ideas

Slowing down to notice the little things

To fell a tree

Lucy Guerin Inc presents PIECES with choreography by Amrita Hepi, Luke George, and Harrison Richie-Jones

To fell a tree

Sir Frederick Ashton double bill

The Australian Ballet’s The Dream / Marguerite & Armand

Sir Frederick Ashton double bill

Ecological family

Recoil Performance Group’s MASS-bloom explorations at Dancehouse

Ecological family

“Kinship between people and place”

Bangarra Dance Theatre’s Yuldea

“Kinship between people and place”

“And anyway, I can’t stop dancing”

In conversation with Rosalind Crisp in the foyer at Dancehouse

“And anyway, I can’t stop dancing”

A lamentation of swans

The Australian Ballet’s Swan Lake

A lamentation of swans

“what can dance do?”

Rosalind Crisp’s The real time it takes…

“what can dance do?”

Our “response-ability”, our human nature

Sydney Dance Company’s Ascent

Our “response-ability”, our human nature

Be extended. Be intensified.

Inaugural season of Escalator

Be extended. Be intensified.
DanceGracia & LouiseGiselle, The Australian Ballet, Jarryd Madden, Brett Chynoweth, ballet, Fjord Review, Gracia Haby, classical ballet, Peasant pas de deux, Marius Petipa, Valerie Tereshchenko, Deborah Jones, David Hallberg, Jill Ogai, Benedicte Bemet, Stefan Cassomenos, Imogen Chapman, Sharni Spencer, State Theatre, Swan Lake, Aya Watanabe, Watermark, La Favorita, Serenade, Robyn Hendricks, Callum Linnane, Anna Karenina, Joffrey Ballet, Nicolette Fraillon, David Finn, Finn Ross, Tom Pye, Leo Tolstoy, Dimity Shepherd, Jacqueline Dark, Jade Wood, Rosemary Edmonds, Brodie James, George-Murray Nightingale, Matthias Schack-Arnott, Gregory Lorenzutti, Deanne Butterworth, Tra Mi Dinh, Alice Dixon, Stephanie Halyburton, Amber McCartney, Caitlin Mewett, Helen Herbertson, Rising, Shakespeare, Romeo and Juliet, Rudolf Nureyev, Ako Kondo, Chengwu Guo, Don Quixote, Adam Bull, Amy Harris, Paul Knobloch, Timothy Coleman, Marilyn Rowe, Gustave Doré, Robert Helpmann, Alice Topp, Daniel Riley, Australian Dance Theatre, Madeleine Eastoe, Steven Heathcote, Kirsty Martin, David McAllister, Sarah Peace, Leanne Stojmenov, Jessica Thompson, Fiona Tonkin, Paragon, Brianna Kell, Karra Nam, Patrick O’Luanaigh, Coco Mathieson, Katherine Sonnekus, Evie Ferris, Lilla Harvey, Nathan Brook, Rohan Furnell, Joseph Romancewicz, Drew Hedditch, Sebastian Geilings, Jewels, George Balanchine, Joseph Caley, Petipa, Maxim Zenin, Violette Verdy, The Tokyo Ballet, Nicola Benois, Maina Gielgud, Hitomi Kaneko, Akira Akiyama, Yasuomi Akimoto, Junya Okazaki, Heinrich Heine, Yukari Saito, Our Mutual Friend, Maria Adachi, Arata Miyagawa, Emi Masamoto

Nocturnal poetry

The Tokyo Ballet’s Giselle

DanceGracia & LouiseGiselle, The Australian Ballet, Jarryd Madden, Brett Chynoweth, ballet, Fjord Review, Gracia Haby, classical ballet, Peasant pas de deux, Marius Petipa, Valerie Tereshchenko, Deborah Jones, David Hallberg, Jill Ogai, Benedicte Bemet, Stefan Cassomenos, Imogen Chapman, Sharni Spencer, State Theatre, Swan Lake, Aya Watanabe, Watermark, La Favorita, Serenade, Robyn Hendricks, Callum Linnane, Anna Karenina, Joffrey Ballet, Nicolette Fraillon, David Finn, Finn Ross, Tom Pye, Leo Tolstoy, Dimity Shepherd, Jacqueline Dark, Jade Wood, Rosemary Edmonds, Brodie James, George-Murray Nightingale, Matthias Schack-Arnott, Gregory Lorenzutti, Deanne Butterworth, Tra Mi Dinh, Alice Dixon, Stephanie Halyburton, Amber McCartney, Caitlin Mewett, Helen Herbertson, Rising, Shakespeare, Romeo and Juliet, Rudolf Nureyev, Ako Kondo, Chengwu Guo, Don Quixote, Adam Bull, Amy Harris, Paul Knobloch, Timothy Coleman, Marilyn Rowe, Gustave Doré, Robert Helpmann, Alice Topp, Daniel Riley, Australian Dance Theatre, Madeleine Eastoe, Steven Heathcote, Kirsty Martin, David McAllister, Sarah Peace, Leanne Stojmenov, Jessica Thompson, Fiona Tonkin, Paragon, Brianna Kell, Karra Nam, Patrick O’Luanaigh, Coco Mathieson, Katherine Sonnekus, Evie Ferris, Lilla Harvey, Nathan Brook, Rohan Furnell, Joseph Romancewicz, Drew Hedditch, Sebastian Geilings, Jewels, George Balanchine, Joseph Caley, Petipa, Maxim Zenin, Violette Verdy, The Tokyo Ballet, Nicola Benois, Maina Gielgud, Hitomi Kaneko, Akira Akiyama, Yasuomi Akimoto, Junya Okazaki, Heinrich Heine, Yukari Saito, Our Mutual Friend, Maria Adachi, Arata Miyagawa, Emi Masamoto
Nocturnal poetry

Brilliant cut

The Australian Ballet’s Jewels

Brilliant cut